(Yoo Jae-suk, Gary, Haha, Jee Seok-jin, Kim Jong-kook, Lee Kwang-soo, Jang Ki-ha, Jun Hyun-moo, Kim Kwang-kyu, Lee Juck, Muzie)ġ1-Person Trendy Men Team members each received a gold coin. Hyun-jin Team members each received a gold ring. (Ryu Hyun-jin, Gary, Jee Seok-jin, Kim Jong-kook, Suzy, Shin Kyung-hyun) (Yoo Jae-suk, Haha, Lee Kwang-soo, Song Ji-hyo, Kim Hyun-soo, Lee Byung-kyu) Yoo Jae-suk, Gary, Jee Seok-jin must wash the dishes. Haha, Kim Jong-kook, Lee Kwang-soo, Song Ji-hyo, Ryu Hyun-jin, Suzy Wins (Yoo Jae-suk, Gary, Haha, Jee Seok-jin, Kim Jong-kook, Lee Kwang-soo, Song Ji-hyo, Suzy) (Ryu Hyun-jin, Kim Jong-kook, Song Ji-hyo) (Baekhyun, Chen, D.O., Kai, Kris, Lay, Lu Han, Sehun, Suho, Tao, Xiumin)Ĭomplete the missions given by Ryu Hyun-jin (Yoo Jae-suk, Gary, Haha, Jee Seok-jin, Kim Jong-kook, Lee Kwang-soo, Song Ji-hyo) (Gyuam-myeon, Buyeo-gun, Chungcheongnam-do) (Yoo Jae-suk, Gary, Haha, Jee Seok-jin, Kim Jong-kook, Lee Kwang-soo) (Gary, Jee Seok-jin, Lee Kwang-soo, Song Ji-hyo) Park Ji-sung chose Yoo Jae-suk and Haha while Patrice Evra chose Kim Jong-kook and Lee Kwang-soo to participate in the 2013 Asian Dream Cup. (Patrice Evra, Jee Seok-jin, Kim Jong-kook, Lee Kwang-soo, Song Ji-hyo)Įvra Team receiAsian Dream Cup invitations. Ji-sung Team receiAsian Dream Cup invitations. ![]() (Koo Ja-cheol, Jee Seok-jin, Kim Jong-kook, Lee Kwang-soo, Song Ji-hyo) (Park Ji-sung, Yoo Jae-suk, Gary, Haha, Sulli)
0 Comments
![]() On the one hand, I like super accurate replicas of real things, as they symbolize, for me, the possibility that life itself is a simulacrum, a copy of a copy of a copy of an original that may never have existed. Koons and his team, however, performed this 8-year, highly-detailed recreation as “a moral commitment to the viewer.” Personally, as a viewer, I’m conflicted about the forgery. Most of us would probably have finished our versions in less than a month, though the results would all be papier-mâché and wouldn’t look much like the original. After three layers of paint were applied, a “hand-painter” sharpened the coats of paint with a fine brush.Ī pre-assemebled version of Liberty Bell was done in Germany with a high-density foam prototype of the yoke, but the final piece was ultimately put together at the Koons studio in New York. The bell’s color composition was broken down into a grid made up of various RGB values, which were then painted with the help of numerous layers of laser-cut stencils and expertly mixed paint. Recreating the bell’s patina involved painstaking analysis and painting. To manufacture the 257 metal parts, including the bell’s 100-piece clapper, a wrought-iron blacksmith, Tim Miller, was hired. In addition to the more obvious components, throughout the monument are a series of metal parts, including an internal structure that could only be studied through historical drawings. ![]() And 18th Century wood finishing experts Olaf Unsoeld and Cornelius van Horne developed a patina to replicate the finish of the original bell. ![]() The wooden yoke that holds the bell was milled by Walla Wall Foundry from red elm harvested and dried by Dan Terbovich, of Horizon Wood. When he began the endeavor in 2006, it wasn’t feasible to convert a 3D model directly to a computerized milling device, but the technology has improved, allowing German metal-working company Arnold AG to mill a copy of the bell. To achieve accurate detail, the CAD data was handled with a variety of software tools, with some data being so complex as to take up to a year to process. After hours, the Direct Dimensions team performed scans of the bell, capturing point cloud data to create a 3D model. To recreate the monument, Koons enlisted his team of 128 people, according to VF: “64 in the painting department 44 in the sculpture department 10 in the digital department and 10 in administration”, plus outside specialists, consultants, and MIT’s Center for Bits and Atoms. It’s now 2014 and the artist and his massive team have finally completed the task of, as Vanity Fair aptly put it, manufacturing “a near-perfect replica of an imperfect object.” Title Liberty Bell, the representation of a representation of the concept of liberty debuted at the Whitney Museum this month. ![]() In 2006, Koons approached Direct Dimensions to help him make an exact duplicate of the Liberty Bell. Instead, Koons wanted to recreate the monument as-is, like it or lump it. So, when artist Jeff Koons turned to the Maryland-based 3D scanning firm Direct Dimensions to recreate the Liberty Bell, he didn’t want to use the pre-cracked version they had modeled back in 2002-2004. No, after the bell cracked in the early 19th century, the fissure itself has become an iconic part of the monument. The Liberty Bell is famous for its crack, and not just the type you find in the park after hours. ![]() Hermitian phase transitions ( a) are marked by gap closures along the real line. Being strongly affected by minute perturbations around the critical point, such behavior may prove useful in sensing applications 41, 42. complex spectrum or presence/absence of topological modes at different system sizes. Importantly, at experimentally accessible finite system sizes, the jump smooths out into an interpolation between the two phases in a strongly size-dependent manner, such that the system may exhibit qualitatively different properties, i.e., real vs. As elaborated below, this behavior appears generically whenever systems of dissimilar NHSE localization lengths are coupled, no matter how weakly. A CNHSE transition, by contrast, is characterized by a discontinuous jump between two different complex spectra along with two different sets of eigenstates. 1), where the eigenenergy spectrum can be continuously interpolated across the two bordering phases. This is distinct from previously known phase transitions (Hermitian and non-Hermitian) (Fig. We uncover here a class of criticality, dubbed the “critical non-Hermitian skin effect (CNHSE)”, where the eigenenergies and eigenstates in the thermodynamic limit “jump” between different skin solutions discontinuously across the critical point. Recently, concepts crucial to criticalities-like band gaps and localization-have been challenged by studies of non-Hermitian systems 15, 16 exhibiting exceptional points 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27 or the non-Hermitian skin effect (NHSE), which are characterized by enigmatic bulk-boundary correspondence (BBC) violations, robust-directed amplifications, discontinuous Berry curvature, and anomalous transport behavior 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40. ![]() ![]() They have broad ramifications in conformal and statistical field theory 1, 2, 3, 4, Schramm–Loewner evolution 5, 6, entanglement entropy (EE) 7, 8, 9, 10, 11, 12, 13, 14, and many other contexts. Lying at the boundary between distinct phases, critical systems exhibit a wide range of interesting universal properties from divergent susceptibilities to anomalous scaling behavior. We provide an explicit proposal for detecting the critical non-Hermitian skin effect in an RLC circuit setup, which also directly carries over to established setups in non-Hermitian optics and mechanics. More spectacularly, topological in-gap modes can even be induced by changing the system size. Examples with anomalous scaling behavior are presented as manifestations of the critical non-Hermitian skin effect in finite-size systems. This indicates, as elaborated with the generalized Brillouin zone approach, that the thermodynamic and zero-coupling limits are not exchangeable, and that even a large system can be qualitatively different from its thermodynamic limit. Such critical behavior, dubbed the “critical non-Hermitian skin effect”, arises whenever subsystems with dissimilar non-reciprocal accumulations are coupled, however weakly. This work uncovers a new class of criticality where eigenenergies and eigenstates of non-Hermitian lattice systems jump discontinuously across a critical point in the thermodynamic limit, unlike established critical scenarios with spectrum remaining continuous across a transition. Yet, with the rise of non-Hermitian studies, fundamental concepts underpinning critical systems - like band gaps and locality - are increasingly called into question. Critical systems represent physical boundaries between different phases of matter and have been intensely studied for their universality and rich physics. The game gets progressively weird and surreal as events go on, and the interactions between characters gradually become more nuanced and complex from the straight-up swords and sorcery formula. As Caim journeys on, he learns about the Cult of the Watchers which has taken hold over the Empire and their evil machinations for the Goddess. Each seal that is destroyed makes the burden on the Goddess that much more unbearable. The game starts off simply enough, with Caim and any party members he's managed to find running from one location to the next, trying to prevent the Empire from destroying one of the three land-based seals. As a consequence, Verdelet can understand the telepathy that goes between pact-partners, but he gave up his hair. He would normally have gained the allegiance of the dragon as Caim has from his pact, but he can't call upon his pact-partner.
![]() In the end, Music Rescue is indeed an excellent option for moving everything you need to an iPod and also offers the ability to manage content. To back up all information on a device and to keep it in sync, you’ll require an application such as Music Rescue. Transferring and managing your music and playlists on your iPod could be an easy and enjoyable task if you have the right tools at the ready. Music Rescue can not only save your music, videos podcasts, audiobooks, and audio recordings as well as notes however, it will also automatically bring them back exactly to where they originated from. Music Rescue can not only save your music, videos podcasts, audiobooks, notes, and audio recordings but also restore them exactly from where they were original. The removal of Music Rescue apps is more than simply moving their files to Trash It’s actually completely removal. This software program is possibly harmful or could include unwanted bundles of software. There’s only a little information available on Google about the product.īlockedIt’s very likely that this program is infected with malware or has unwelcome bundled software. I haven’t had the chance to try the software however, based on reviews, it appears to be an extremely good product. An application for music that will permit you to download music from any genre. Of course, if you’re smart you’ll always backup your drives, however, if you happen to fall victim to prank assistance is available. If you’re a smart person, you’ll always backup your drives using something such as Time Machine but if you do happen to be caught assistance is readily available. Double click to open the DMG document to launch it and you’ll be presented with the Window in the Finder. Simple recovery of all media on your iPod.Most often, these include the application’s name, some type of arrow, and an address in your Applications folder. Supports all current iPods, including iPhone.Ĭompares iPod contents to local iTunes library. When you MOVE Between computers, your license and settings will move with you and used by Music Rescue wherever you are in the world.Ĭopies media from an iPod to your computer.Īdds tracks to iTunes and rebuilds playlists. When you do this, Music Rescue will store the license and a number of other settings on the iPod itself. When you license Music Rescue, you can choose to license the program to your iPod. With Music Rescue’s improved Media Player, you can listen to or watch your tracks on any machine straight from your iPod. Of course, you don’t have to copy your tracks to a computer to use them. If you purchase a Music Rescue license, it will work with both Windows and Mac versions of Music Rescue. Music Rescue for Windows works just the same as the Mac version, and the interface is almost identical. Don’t be fooled by all the Mac screenshots here - we just made this page on a Mac. Music Rescue works just as well on Windows as it does on the Mac. Music Rescue will copy your music, video, podcasts, audiobooks, audio recordings and notes right back to where they came from, be it iTunes, a custom media server or anything else. What about those tracks ripped from CD, or lovingly recorded from your vinyl collection?Įnter Music Rescue - the answer to your nightmare. If your computer dies and takes your music with it, you still have your iPod, right? However, iTunes only lets you transfer tracks bought from the iTunes Store back to your new/fixed computer. Unfortunately, your music library is fragile. With an iPod, it helps you work out, keeps you Company when you drive and drowns out that noisy train ride into the city. It contains all those memories of your youth, or that first dance. |